The random thought processes and semi-lucid meanderings of a middle-aged neo-feminist poet in search of much more caffeine....
21 January 2014
So many books, so little time
On the other hand I have been able to do a lot of reading. . . .
For you murder mystery fans I suggest checking out the Magdalene la Bâtarde series by Roberta Gellis. there are three volumes which should be read in order: A Mortal Bane, A Personal Devil, and Bone of Contention. Magdalene is the whoremistress of the Old Priory Guesthouse in Southwark--which is what first caught my attention when I read the publisher's blurb.
I once took a remarkable walking tour of the high points of Shakespearean London (including a death-defying stroll along a not-really-public-access walkway on the Blackfriars bridge underpass) with William P. Williams; and when we reached Southwark, William told us the story of the Bishop's Geese.
It seems that the Bishops of Winchester have always lived in Southwark (pronounced sooth-ark) in close proximity to the Cathedral there. And because of the laws against theaters in London, the theaters (the Globe, the Rose, the Curtain) were built outside of the city walls--many in Southwark. Well, theaters tend to attract crowds, and crowds tend to attract sellers of all sorts of merchandise. One of the most popular things a theatergoer in Medieval times might be able to pick up in Southwark was a "lady of the evening." And since it made sense for such ladies to have "rooms" nearby, and since Medieval bishops tended to be wealthy and own properties, the bishops of Southwark became the landlords of many medieval to early modern brothels (note that I said landlords, not pimps, though I must point out that the distinction is rather unclear historically). The upshot of the story is that the prostitutes of Southwark were many and often under the protection of the bishops, but you don't say things like that out loud--so the euphemism for prositutes soon became "the Bishop's Geese."
Now you see why a murder mystery set in the 12th century where the mysteries are soved by a very uncommon lady who runs a very uncommon guest house under the protection of the bishop of Winchester sounds interesting to me?
Am I going to review this book; give you the 50 cent synopsis? Nah. You'll have to read it for yourself. I'll just say that if you liked Brother Cadfael or Sister Fidelma or Dame Frevisse, you'll love Magdalene la Bâtarde! Gellis has done her research on the period, and yet manages to push the feminist envelope with her treatment of the gender issues all the while telling a darn good story with characters you can care about. I picked up the first book on Saturday, went back for the next two on Sunday--simply devoured them and can't wait for the next one in the series.
If it is Tuesday this must be AEthelmearc
The bitching this war is all about the book. No day by day schedule. I told Frog, next years Pennsic Mayor, I'd do Cultural Affairs next war, and I promise a day by day hour by hour schedule. For PW 39 I am back to running Info Services. So any of you reading this... If you want a job... Email me!
Tonight is AEthelmearc court. Daedez, our much beloved Khan, will be getting her laurel for Mongolian research. Party afterwards. I have about 10 dozen Chinese dumplings in my cooler to fry for the party. And 4 dozen stuffed grape leaves as well. The Ansteorran brothers are doing the "big hunk of meat" on a grill thing. Much wine. Emma's made the infamous cheeseball. Good times will be had by all.
Stay tuned for pictures!
in the wee hours
31 March 2011
Framing Innocence Author to Speak at CWRU March 31
14 March 2011
04 January 2011
Time to Write?
But between herding the MFA cats (and I am not just talking students here), and lecture prep, and grading. I have not written anything worthwhile since July. Random snippets of poems, nothing solid. Sometimes when I haven't been writing in a while it feels like the words just go round and round in my head until it wants to explode. It helps to have friends an family to talk to about the ideas you have, but sooner or later you have to put them down on paper. Writing is how I process things. It's cathartic. The only other thing that works that way for me is reading.
Happily I just spent my last week of Winter Break reading a huge stack of books. You want to know what you should check my list on Good Reads. The only writing I will be doing soon is my syllabi for the Spring semester. Oh, for Spring Break and the next stack of books.
05 December 2010
Things you think about when you can't sleep
One of my fiction writer friends says she writes because she has to. If she didn't the words, the ideas, would just keep rolling around in her brain and drive her crazy. I can understand that. Sometimes I wish my brain had a switch--on, off, clear cache... reboot.
Somehow, though, for me writing has to have an audience. And therein lies the rub. If I write about most of the stuff in my head anywhere I send it, post it, or share it, it is bound to offend someone. The thing about stories is that they want to be told. They don't want to sit in notebooks or lie about in drawers. So I feel compelled to publish, to share. My biggest problem is I am not good at audience. Although half my audience is generally chuckling and enjoying the story immensely, the other half is invariably bored, or worse: pissed off.
One of the first poems I ever published was about my grandmothers, my mother, and my daughters. I was looking at how women carry on through generations. My mother's only comment was about the stanzas she was in, and what she said to me was: "That's a lie, it didn't happen that way."
What I had been telling was her story as I had heard it, from her, from my dad, from others. Filtered through my writer's sensibilities and my (imperfect? biased?) observations of her as her daughter. What she saw in herself was so different that she was angry at my less than flattering portrait. But the woman she saw herself as could be seen only through her filters. Two different stories. Both accurate if disparate views. My story was about an ordinary woman with with extraordinary desires leading an ordinary life. The problem is no one wants to be seen as ordinary. Not really. Certainly not my mother, who spent most of my childhood telling us how happy we were and how lucky we were to be us--this ideal suburban family. What I still see looking back is a husband who got drunk, ran around looking to other women for affection he didn't get at home, because he never made enough money to support five kids or to satisfy a woman who had her dreams of movie-stardom thwarted by the realities of motherhood and the embarrassment of dependence on her own mother for handouts and hand-me-downs. When I tell the story my way I upset my family. When I tell the story the wasy they want it to be seen, it's not as good a story.
In some ways there are beautiful stories in there, in my head. The problem is my characters don't ever look heroic when seen by those who inspired them. Especially when inspired by people I care about most.
Right now I have the urge to write about my daughters. But I know if I do I will anger at least one of them, confuse one of them, and amused the third. Do I dare that chance that they will or will not see my fiction for fiction?
25 August 2010
Websites and Facebook and Wikis, Oh my!
The today I came across this xkcd comic with sums up my feelings as I tried to navigate the webpages of four universities and find the info, forms and deadlines, needed by our upcoming candidates for graduation.
At the same time there are the ongoing Twitter and Facebook pages to update. If I post to Facebook it drops into Twitter, but not the reverse (or you end up with a nasty loop of continuous back and forth reposing of the same message!). File that under "things we learned the hard way."
One way cool thing to stay tuned for is the (in process) NEOMFA wiki page that is currently being created by our oh-so-savvy NEOMFA GA, Shurice.
12 July 2010
I Can Haz Dragon
24 June 2010
When does Fiction cross the line?
This conflation of fact and fiction is nothing new. The stories he made up of King Arthur were "chronicled" as history by Geoffrey of Monmouth in the 12th century. A popular (fictional!) mystery series today features the (real!) 19th century author Jane Austen as a solver of murder mysteries. I could go on and on.
Fetherling has published a book about Walt Whitman that the reviewer describes as “a plot-driven potboiler about the Lincoln assassination…”
At the heart of Fetherling’s novel Walt Whitman’s Secret, we learn that Whitman’s friend and lover Peter Doyle was a co-conspirator with [John Wilkes] Booth, the man who murdered Abraham Lincoln, that Whitman knew of the plot beforehand, and that he did nothing to alert the police, merely advising his friend to cut ties with the plotters.
It’s a very terrible, very ugly allegation, because it places Whitman close to being an accomplice, and because it brings into question the moral foundation of Whitman’s being.
Has Fetherling proof? I asked him this at the Vancouver launch of his book, and he said no. He went on to claim that as he is writing fiction, he is not required to prove anything; moreover, the law of defamation no longer applies, given that Whitman died in 1892.
I am not talking law, but ethics.
> Richard Harvey / North Vancouver
Is it fair to Whitman? This is a work of fiction. Not to be taken too seriously, right? But also by Demer's account, a potentially great novel, so one that might be taken very seriously:
But the bulk of the novel is a quiet, deliberate, beautifully wrought meditation on two things: on the one hand, the life devoted to literature and its attendant hustles; on the other, the uneasy relationships between the United States, the Confederacy, and Canada.
As a work of postmodern fiction this is makes an excellent plot device. But there are a number of interesting questions that a work like this raises. What does a writer of fiction owe to the historical truth? Is there any historical truth at work here, anyway? Should we even ask a question like that of a work of fiction? Can this fiction tarnish the truth of Whitman's life? Post mortem does it even matter? How gullible are Americans anyway?
Sadly, it is that last question that worries me the most.
Still, I am looking forward to reading Featherling's book. To be honest I am not that fond of Whitman either, but that is not why. I want to use both Whitman's work and Fetherling's novel side by side in a class I sometimes teach: Classic and Contemporary Literature. Because if this isn't an example of the classic influencing the contemporary I don't know what is.
11 June 2010
Another spring is rapidly coming to an end . . .
No surprise really. I have had a less-than-wonderful 2010 so far. Broken left knee. The discovery that I am allergic to my long-term asthma medications (and the accompanying icky red rash on my face from them). Car broken into and backpack with laptop and accessories stolen (value totalling $2500+ of which insurance only covered $900. Top that with the lovely tax day discovery that I owed the IRS $3000+. So, yeah. Not a stellar spring.
On the other hand, the need to strengthen the knee led me to doing more bicycling--got out the old bike to refurbish and found that it was less expensive to buy a new one. So one brand-new retro bike later (which incidently reminds me of my childhood) and I'm on the road. I still say I need pink plastic handle tassels and a wicker basket. Maybe even a little bell. Of course although I am having a ball with it and cycling like a mad woman between my home and Angel Falls for coffee, and to the library for books, I have already taken my first spill and ripped up my right knee. Good news is Steve made me buy and wear a helmet. Bad news is I tore my best black jeans and it hurts. Good news is I am limping evenly now that both knees are boo-booed. Bad news is the left knee is still swelling a lot at night, good news is that the road rash is is tender enough that it distracts me from other annoyances. And it all is healing, albeit slowly. Getting older sucks.
07 March 2010
08 February 2010
A Quote for February, and for Lovers
— Christopher Barzak, from The Love We Share Without Knowing
07 February 2010
How Social Gaming is Improving Education
Audits of the U.S. educational system have revealed that the highest hurdle to adopting skills-based teaching practices is the lack of an easily implementable curriculum.
Enter social video games as a solution — immersive environments that simulate real-world problems. Today, technologically eager schools are replacing textbook learning with social video games, and improving learning outcomes in the process. Here’s how they’re doing it: How Social Gaming is Improving Education
Especially interesting to me, personally, is the use of the virtual world Second Life as part of the curriculum where hands on training and role play can teach a critical skill set, as in this example Ferenstein mentions:
Loyalist College in Canada recently boasted “massive” test score improvements for its border officer training via simulation in the virtual world of Second Life. “No single technological addition has ever impacted grades at the college in such a positive way,” says Ken Hudson, their Managing Director of Virtual World Design. Indeed, the results speak for themselves. According to the report:
“The amazing results of the training and simulation program have led to significantly improved grades on students’ critical skills tests, taking scores from a 56% success in 2007, to 95% at the end of 2008 after the simulation was instituted.”
In another example, 6th graders learn geography from Google Earth, collaborate through an internal social networking platform, and present ideas through a podcast. Administrators hope that wrestling with the question of “How can a system function within a larger system?” will bolster critical thinking skills. Many experts contend that so-called “Scaffolded Problem-based learning” is known to improve academic skills and enhance motivation. With all these new toys, it’s no surprise that one student admits his least favorite part of the day is “dismissal.”
Social gaming has a come a long way from the days when a dozen students would squint at a 10-inch screen of Oregon Trail. The 2000s seemed to be the decade of case studies: Bold educators willing to experiment with developing technologies. But now, the involvement of major funders, such as the Bill and Melinda Gates Foundation, points to an industry that is on the cusp of freeing education from its 2D textbook prison.
23 January 2010
Home Renovations or why I have no life anymore

06 January 2010
The Graveyard Book: be afraid of live people...really!
| The Colbert Report | Mon - Thurs 11:30pm / 10:30c | |||
| Neil Gaiman | ||||
| http://www.colbertnation.com/ | ||||
| ||||
And if you haven't read Neil's books . . . what the hell is wrong with you?
18 December 2009
Talking to Australia
17 December 2009
April is National Poetry Month
Free National Poetry Month posters are available by request—while supplies last—to teachers, librarians, and booksellers. Submit your request now to receive the poster in time for April 2010. Sign up > But don't wait until April to celebrate poetry! The other thing you can do right now is participate in the Free Verse Project. This is a very cool way to mashup poetry and photography. First check out some of the cool photos in the Poets.org Flickr group like the one below which was chosen to be last years AAP Poetry month poster! |
